I love immersing myself in the stories that people have shared with me. I love hearing a story over and over again as I juxtapose it with other stories, to feel how they want to fit together.
I love connecting with my body and spirit as I edit to discern what to leave in and what to take out. I love the combination of storytelling strategy and soul connection that come together to find the arc of a video.
I love when things ‘click’ and it feels like that story structure I’ve spent 18 hours getting to was on its way the whole time.
There are countless choices that are made when putting a story together. Each editing choice creates different possibilities for how the video will resonate. You’re whittling down hours and hours of footage into a 3-5 minute story that weaves together a chorus of experiences into something coherent, true and potentially transcendent.
I’m thorough. I organize every possible clip of a story element into a folder (sequence in Adobe Premiere) and I build the story structure by considering each quote. For example, if I were editing a video about an organization that builds community care, there might be a sequence called ‘moments of connection’ where all the quotes/stories that people shared about meaningful moments of connection they’ve experienced live. Then, when I get to building that part of the video, I’ll visit that sequence and choose a story amongst the many that have been shared.
Editing is brutal in that way. Oftentimes the sacred depth of our interviews doesn’t have the time or space in the video to fully be shared. So much of the interview magic never sees the light of day.
When I’ve edited a video down from 7 hours of raw footage to 9 minutes of interwoven story, I’ll know I still need to get it down to 3 minutes. In that moment, it feels almost violent to cut the video down further. But by the time it’s at 4:20, I can see that the cuts I’ve made have only made it stronger. We may have lost a bunch of great quotes, but we’ve gotten closer to the essence.
I love the moment when a client pushes me in a new direction and instead of resisting it, I discover new delightful possibilities for how the story can evolve to better meet their needs. The same batch of footage can be utilized to create radically different videos. I take a win-win mindset to revisions. Things are changing, but it’s ok. How can I create something that is moving, effective and meets their needs? Editing is about listening to the heart of the story, even as the way a story is told changes.
I love that the videos I make have my imprint. When I’m working with a wider team, I love that the story is shaped by all of us. The way that someone felt safe sharing their story during an interview will translate into the video. The way that we’re drawn to certain light or composition will determine every shot of b-roll in the video. The theory I’ve developed about how to tell a story is shaping every choice I make.
It’s soulful work that’s a reflection of presence. Presence with people. Presence with the world around us. Presence with the message and magic that are longing to be shared through a visual story.
Editing alone in a room for hours on end can be isolating. But when I’m in the editing zone, I’m in a place of connection with people’s stories. That’s precious to me.
When I’ve led video editing workshops in the past, there’s always a moment where the participants realize how time consuming editing is. It always becomes a question of, does the process delight you enough for you to withstand the time intensive nature of it? For me, that answer is a resounding yes.
I love what I do.